El paño moruno by Manuel de Falla for classical guitar

Rated 4.86 out of 5 based on 7 customer ratings
(7 customer reviews)

$15.00

Discounted pricing available for the LAGA community*

* Former or current LAGA students, and Patreon supporters.

El paño moruno by Manuel de Falla for classical guitar

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Full Walkthrough Video: Available


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Our latest classical guitar release, Manuel de Falla’s El paño moruno, arranged for classical guitar by Emre Sabuncuoglu.

Level: Lower-Advanced

License Information: Copyright of this arrangement © 2016 Los Angeles Guitar Academy Publishing. All rights reserved. Original work by Manuel de Falla is in the public domain.

Format: Sheet music notation (no tabs/tablature) *NEW* with tabs
8-page PDF containing the full score with standard notation and tab notation, in addition to a standard notation-only score. Instant download after purchase.

Price: $15

7 reviews for El paño moruno by Manuel de Falla for classical guitar

  1. Rated 5 out of 5

    Jakob D

    So beautiful…???

  2. Rated 5 out of 5

    Sergueï Zkv

    beautiful ! you made my day

  3. Rated 5 out of 5

    JOSE DELGADO

    MIL GRACIAS POR TAN MAGISTRAL ARREGLO Y PRESENTACION!

  4. Rated 5 out of 5

    MaurizioAbuDhabi

    Meraviglioso!!!

  5. Rated 5 out of 5

    uneedtherapy42

    One must not defy de Falla

  6. Rated 4 out of 5

    Adrian

    Idk, to me it looks harder than lower-advanced :-s It sounds beautiful though, and beautifully played, too.

  7. Rated 5 out of 5

    Mark McBurney

    This is a beautiful arrangement and performance. I purchased this immediately after discovering this video on youtube. Emre makes it look easy but it is not. But at least he provides a walkthrough video. I was doing great with this piece until I reached measures 24-26 lol (where the main melody comes in) and still having a hard time with those 2 measures flowing naturally. I love that he’s is arranging pieces that the old masters never would attempt or thought were not suitable for the guitar (Segovia, J. Williams, J. Bream etc.) By doing so, I see that he incorporates several non-standard techniques like you wouldn’t find typically in the old standard repertoire: such as cross string trills & tremolo, finger sweeps, hinge cords, flamenco rasgueados etc. that are or not maybe new to some. Which is ok and inspiring and we are always learning throughout this journey. More de Falla please!

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