The first section of this piece is a great exercise on position shifts. …
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C3.5.06. Study by N. Coste – Spot Practice
When you shift your second finger (2) to the first position, the shift will cause your hand to be slightly outside the fingerboard. Don't worry. These kinds of temporary shifts will come in handy in …
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C3.5.07. Study by N. Coste – main view
In the second section of the piece, notice that you will alternate the right-hand fingers on melodic notes, even during the bass melody. …
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C3.5.08. Allegretto by M. Giuliani – Close-up View
Techniques covered in this piece are the following: grace notes, glissando, and basic arpeggios. If you feel that you need more supplementation, please revisit these previously covered techniques. …
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C3.5.09. Allegretto by M. Giuliani – Spot Practice
As you move up into higher levels, the technical difficulty increases. As technical difficulty increases, it becomes even more important for you to develop a natural sense of fingerings for …
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C3.5.10. Allegretto by M. Giuliani – main view
Notice the inclusion of 'a' on the right hand during the arpeggio-like parts of the melody in order to make the string crossings more efficient. …
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