Notice the use of 'a' for the melodic notes on the first string in the manner of an arpeggio. …
Continue Reading about C3.4.15. Cancion by J. Brahms – main view →
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Notice the use of 'a' for the melodic notes on the first string in the manner of an arpeggio. …
Continue Reading about C3.4.15. Cancion by J. Brahms – main view →
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This piece is a favorite among many intermediate classical players. Using the pause button or the space bar, work slowly on the challenging passages - such as the jump from the F to A on the first …
Continue Reading about C3.4.16. Allegretto by M. Giuliani – Close-up View →
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In passages which have a bass note/melodic note alternation, it will be tempting to play the melodic line with the same finger. It may feel better to you to play the melodic line with i-i-i or m-m-m. …
Continue Reading about C3.4.17. Allegretto – Spot Practice →
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Try to incorporate vibrato in your performance. See the drills in the beginning of the level. …
Continue Reading about C3.4.18. Allegretto by M. Giuliani – main view →
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The trill exercise in the beginning of this level is recommended before working on this piece. …
Continue Reading about C3.4.19. Chammarita by J. Cardoso – Close-up View →
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In this passage, you must play the trills while sustaining the chord in the background. If you are having difficulty, try slowing down the trills, as well as the tempo of the entire passage. …
Continue Reading about C3.4.20. Chammarita – Spot Practice →