At the beginning of the second section, use 2 (the second finger) on the G# on the third string for a smooth transition. …
Continue Reading about C3.4.09. Bourrée by J. Krieger – main view →
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At the beginning of the second section, use 2 (the second finger) on the G# on the third string for a smooth transition. …
Continue Reading about C3.4.09. Bourrée by J. Krieger – main view →
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Make sure that you pluck the thirds by 'i'-'m,' and that you pluck both pitches at the same time. …
Continue Reading about C3.4.10. Andantino by F. Carulli – Close-up View →
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To master the passage at the end of this clip, you may need additional repetitions until you become comfortable with it. Note that your teacher is using 2 and 3 as double guide fingers (sliding on the …
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This is a good piece to improve your technique on dynamics. Once you have learned the fingerings, and you can run through the piece without pauses, apply dynamics in the phrases of your choice. …
Continue Reading about C3.4.12. Andantino by F. Carulli – main view →
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The vertical stretch drills in the beginning of this level will help you reach the bass notes easily. …
Continue Reading about C3.4.13. Cancion by J. Brahms – Close-up View →
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Please observe the clip closely for suggestions for an efficient right-hand fingering for this passage. …