Notice that the shifts between the first and the second positions help make the transitions easier. …
Continue Reading about C3.6.04. Minuet in G – Close-up View →
C3.6.05. Minuet in G – Spot Practice
To sustain the bass note, use 2 for both the G and the F# (first string, second fret). Observe the slight rotation that occurs when your teacher demonstrates this fingering. …
Continue Reading about C3.6.05. Minuet in G – Spot Practice →
C3.6.06. Minuet in G – main view
While practicing this piece, work on the hammer-ons slowly, getting as much volume as you possibly can. …
C3.6.07. Rasgueado Doble by J. Cardoso – Close-up View
A Rasgueado Doble from the Argentine guitar master Jorge Cardoso. …
Continue Reading about C3.6.07. Rasgueado Doble by J. Cardoso – Close-up View →
C3.6.08. Rasgueado Doble by J. Cardoso – Spot Practice
In this section, pay special attention to the ending. To create the exact effect that the composer envisioned, use the exact fingering your teacher uses while playing this passage (using C on the …
Continue Reading about C3.6.08. Rasgueado Doble by J. Cardoso – Spot Practice →
C3.6.09. Rasgueado Doble by J. Cardoso – main view
The rhythmic complexity of this piece is a result of the interaction between the melody line and the bass line that emphasizes the rhythmic structure 3 + 3 + 2. …
Continue Reading about C3.6.09. Rasgueado Doble by J. Cardoso – main view →