In this piece, six-string bars, higher string notes on the first and second strings are used. …
Continue Reading about C4.9.05. Study no.1, Op.38 by N. Coste – Close-up View →
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In this piece, six-string bars, higher string notes on the first and second strings are used. …
Continue Reading about C4.9.05. Study no.1, Op.38 by N. Coste – Close-up View →
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This is a great full bar position change study. As you shift these full bars by two frets, try to make the shift effortless by keeping your wrist as relaxed as possible. …
Continue Reading about C4.9.06. Study no.1, Op.38 by N. Coste – Spot Practice →
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Try to sustain the chords as long as possible (while not exceeding its duration) including the ones that occur before a position shift. …
Continue Reading about C4.9.07. Study no.1, Op.38 by N. Coste – main view →
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One of the classical masterpieces of the guitar repertoire. All five different bars (two-, three-, four-, five- and six-string bars) that we have seen so far are used in this piece. …
Continue Reading about C4.9.08. Study no.5 by F. Sor – Close-up View →
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Take plenty of rest breaks in your practice sessions, especially if you are working on a piece with many bar chords, such as this piece. …
Continue Reading about C4.10.15. Study No. 5 by F. Sor – main view →
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In this masterpiece from the Baroque period, we focus on the phrases based on melodic segments and arpeggios across the fingerboard. …
Continue Reading about C4.9.08. Jesu, Joy of Man’s Desiring by J. S. Bach – Close-up View →