Keep your first finger on the G on the sixth string as you play the melody on the first string. …
Continue Reading about C4.9.01b. Study no.2 by F. Tárrega – Spot Practice →
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Keep your first finger on the G on the sixth string as you play the melody on the first string. …
Continue Reading about C4.9.01b. Study no.2 by F. Tárrega – Spot Practice →
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Marking the musical phrases by slight ritardandos is one of the steps towards a more musical interpretation of the piece. …
Continue Reading about C4.9.01c. Study no.2 by F. Tárrega – main view →
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Snap drills for six-string bars. …
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Our first application of the six-string bar is in the context of this beautiful G minor piece. …
Continue Reading about C4.9.02. Study no.17 by M. Giuliani – Close-up View →
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This beautiful passage has many harmonic changes. Make sure that your position shifts do not delay the downbeats. …
Continue Reading about C4.9.03. Study no.17 by M. Giuliani – Spot Practice →
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This is a great piece to work on your musical interpretation skills. …
Continue Reading about C4.9.04. Study no.17 by M. Giuliani – main view →