In order to make sure that your scales are even and balanced, practice open string 'i'-'m' alternations. …
Continue Reading about C4.8.13. Go From My Window – Part 4 – main view →
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In order to make sure that your scales are even and balanced, practice open string 'i'-'m' alternations. …
Continue Reading about C4.8.13. Go From My Window – Part 4 – main view →
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Originally part of a larger work that included a gigue in the same key, this piece, from the Baroque composer Johann Pachelbel (1653-1706), has become one of the most frequently-requested pieces for …
Continue Reading about C4.8.16. Canon in D Major – Johann Pachelbel – Close-up View →
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The Canon's elegant interweaving of the melodic line among three voices create a soothing atmosphere for its listeners. Guitarists who perform at such occasions, therefore, should keep this piece …
Continue Reading about C4.8.15. Canon in D Major – Johann Pachelbel – Close-up View →
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The F# in the fourth measure of this passage is played with 2, instead of the standard 3, in order to make room for 4 to reach and slide on the first string to play A and B. Also. pay close attention …
Continue Reading about C4.8.17. Canon in D Major – Johann Pachelbel – spot practice →
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Composer, organist, and teacher, Pachelbel, a native of southern Germany, created a large number of works for both liturgical and secular use. He was a major player in the development of the chorale …
Continue Reading about C4.8.18. Canon in D Major – Johann Pachelbel – main view →
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This is a popular Tarrega piece that is a great study on five-string bars. …
Continue Reading about C4.9.01a. Study no.2 by F. Tárrega – Close-up View →