LAGA Clásica

Beware of any excess tension during practice. Your whole body, especially your left hand and arm, needs to be in a relaxed state in order to avoid potential physical problems, such as RSI (repetitive …

Seguir leyendo sobre C7.2.35. Variations on a theme by Mozart by F. Sor, Introduction – main view →

Make sure that the dotted note durations are accurate, i.e., that the dotted sixteenth notes last exactly three thirty-second notes. …

Seguir leyendo sobre C7.2.36. Variations on a theme by Mozart by F. Sor, Theme- left hand view →

At the end of this passage, note that your teacher uses 3 and 4 on F# and A. This might be a hard stretch at first, but this fingering makes it easier to get to the next position. …

Seguir leyendo sobre C7.2.37. Sor Variations – Theme – Spot Practice →

Este es un tema de Mozart de su ópera "La flauta mágica". ...

Seguir leyendo sobre C7.2.38. Variations on a theme by Mozart by F. Sor, Theme- main view →

Study how your teacher uses the hinge bar toward the end of the clip. Using a hinge bar here will prepare your hand for the bar position that comes shortly after the last melody note. …

Seguir leyendo sobre C7.2.40. Sor Variation 1 – Spot Practice →

Sor was one of the most influential guitarists and composers of the eighteenth century. …

Seguir leyendo sobre C7.2.41. Variations on a theme by Mozart by F. Sor, Variation 1 – main view →