LAGA Clásica

Played with sensitivity, the classical guitar provides an ideal medium to showcase this lovely piece. Its range of tone colors can convey both the depth of emotion and the sense of peace that pervades …

Seguir leyendo sobre C7.2.09. Fur Elise – L. van Beethoven – main view →

Originally written for the piano, the deeply personal Adagio works well on the classical guitar. The guitarist's hands, caressing each note, convey a sense of intimacy that provides a perfect medium …

Seguir leyendo sobre C7.2.31. Moonlight Sonata, mvt.1 – L. V. Beethoven – main view →

In the second part of the phrase at the twelfth position, make sure to keep your thumb in the back of the neck of your guitar to ensure a well-balanced left-hand position. Keep the A minor chord (A, …

Seguir leyendo sobre C7.2.29. In the Hall of the Mountain King – E. Grieg – spot practice 3 →

Regardless of the speed of the transitions, a stable left-hand technique is essential as you play the four grace notes that precede the diminished chord using your fourth finger. Keep the rest of your …

Seguir leyendo sobre C7.2.30. In the Hall of the Mountain King – E. Grieg – spot practice 4 →

This is an imaginative piece that will require the guitarist to use tone color and dynamic variations to bring out the personality of the various characters portrayed in the story told by the music. …

Seguir leyendo sobre C7.2.40. In the Hall of the Mountain King – E. Grieg – main view →

Make sure that the chromatic accompaniment lines do not overpower the melodic notes. …

Seguir leyendo sobre C7.2.34. Sor Variations Intro – Spot Practice →