publicado en
This passage is a wonderful study in rhythm. Divide the beat into four and five equal parts. When you practice at a slow tempo, such as the tempo illustrated in this clip, it gives you a chance to …
Seguir leyendo sobre C7.2.49. Sor Variation 4 – Spot Practice →
publicado en
When practicing fast pieces of movements, speed should always be a secondary goal. Give the piece plenty of time for maturity by playing at medium speeds and with a solid technique. …
Seguir leyendo sobre C7.2.50. Variations on a theme by Mozart by F. Sor, Variation 4 – main view →
publicado en
The pull-offs in this variation should sound rhythmically even and at an equal level of volume. …
Seguir leyendo sobre C7.2.51. Variations on a theme by Mozart by F. Sor, Coda – left hand view →
publicado en
Make your position shifts clear and precise. Keep your hand parallel to the frets, and your fingers close to the strings. Doing this will give you the best position to perform the legatos. …
Seguir leyendo sobre C7.2.52. Sor Variation 5 – Spot Practice →
publicado en
For the chord in the tenth position (the highest four-note chord above the body of the guitar), make sure that the A# is heard clearly, and that the open string E is not louder than the A#. …
Seguir leyendo sobre C7.2.53. Sor Variation 5 – Spot Practice 2 →
publicado en
Observa que la digitación de la mano derecha para la transición al final del cuarto compás es 'p'-'m'-'i'. Las escalas rápidas y los arpegios equilibrados serán una gran ventaja a la hora de interpretar esta Coda. ...