Four-note chords with bass alternation. …
C4.4.07. Polo Venezolano by J. Cardoso – Close-up View
The use of 3/4 time and 6/8 time interchangeably (also called hemiola) is common in Latin American music. It can be found throughout this piece in both the melody and the bass line. …
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C4.4.08. Polo Venezolano – Spot Practice
This is a rhythmically challenging passage. You can also use this passage as a drill to increase your stretch. Make sure that you keep 3 on the frets to sustain the bass notes, as you can see your …
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C4.4. Polo Venezolano by J. Cardoso – main view
Alternatively, the 'a' can be included in the arpeggio pattern in the beginning of the piece, with no alternation of the thumb between the fifth and the fourth strings. …
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C4.4. Drill for Etude no.7 by M. Carcassi – close up view
A closer look at the tremolo drill. …
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C4.4.09. Etude No. 7 – M. Carcassi – Close-up View
This piece is considered an important milestone in the intermediate classical guitar repertoire. …
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