This slow movement consists of various rhythmic cells. Practice each unit separately, taking into consideration the relationship between each unit before performing the piece as a whole. …
C7.2.43. Sor Variation 2 – Spot Practice
As you play the a minor triad (A-C-E) in the first position, emphasize the melody, which in this case, is in the inner voice. Emphasize the C on the second string especially well. …
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C7.2.44. Variations on a theme by Mozart by F. Sor, Variation 2 – main view
Pay special attention to the hand and arm positions on the videos. The lower-level pieces are easy enough to make it possible to play them with poor position and posture, therefore, certain crucial …
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C7.2.45. Variations on a theme by Mozart by F. Sor, Variation 3 – left hand view
Study the triplet note passages carefully to make sure that each group of triplets correspond to an eighth note value. …
C7.2.47. Variations on a theme by Mozart by F. Sor, Variation 3 – main view
Although your playing should clearly reflect the rhythmic structure of the piece, you can leave some room for rhythmic flexiblility such as slight accelerations and fermatas (holding a note longer …
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C7.2.48. Variations on a theme by Mozart by F. Sor, Variation 4 – left hand view
One beat (of quarter note duration) is divided into many different subdivisions in this variation. Make sure that when you divide the beat into triplets, quintuplets, sextuplets and sixteenth notes, …