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It is easy to lose track of the melodic line when practicing fingering details. Once you have established the fingering, continue practicing at a slow tempo, this time accentuating the melodic line by …
Continue Reading about C7.1.14. Capricho Catalan – I. Albeniz – spot practice 4 →
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Originally a piano piece, the Capricho Catalan's intimate, relaxed character makes it a perfect piece to perform on the classical guitar. For that reason, it has become a staple in the concert …
Continue Reading about C7.1.16. Capricho Catalan – I. Albeniz – main view →
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Since the guitar has had such a central role in the development of music in Spain, most Spanish pieces adapt beautifully to the classical or Flamenco guitar. This one is no exception. Andalucia, the …
Continue Reading about C7.1.16. Spanish Dance No. 5: Andaluza by E. Granados – main view →
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In addition to brushing up on your tremolo technique, take special care to choose tone colors and phrasing that will accentuate this work's romantic flavor. Classical guitar students who want to …
Continue Reading about C7.1.23. Romance – Tremolo version – main view →
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In the beginning of this passage, there is a descending figure composed of parallel sixth intervals. Practice the hammer-on figure towards the end of the passage by focusing on keeping your fingers …
Continue Reading about C7.1.43. C. Saint-Saens – The Aquarium – spot practice 4 →
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At the end, there are four right-hand harmonics. The first three are the notes one octave above the notes A, C#, and E in the same position. The last one is an A two octaves higher. Find the position …
Continue Reading about C7.1.44. C. Saint-Saens – The Aquarium – spot practice 5 →