Notice the use of a small hinge bar on the first fret after the grace note. …
Continue Reading about C6.3.47. Variations Op. 28 by F. Sor, Coda- left hand view →
C6.3.48. Variations Op. 28 by F. Sor, Coda- main view
The artificial harmonics are plucked by 'a' while the thumb plays the melody on the third string in the beginning of the coda. …
Continue Reading about C6.3.48. Variations Op. 28 by F. Sor, Coda- main view →
C6.4.03. Tremolo Study – B
Now that you have practiced the chord structure and the arpeggio pattern in the previous video, the final step is to replace the single plucks on every melodic note with the tremolo fingering …
C6.4.04. Tremolo Study – C
Here is a more advanced version of the previous tremolo piece in 3/4 time signature. Melodic notes change on every beat. …
C6.4.05. Tremolo Study – D
Two main points to focus on when you are working on tremolo are the evenness of the volume of all three noted plucked by 'a'-'m'-'i,' and playing them in equal durations. …
C6. Moving on to the next level
Congratulations on completing Level 6. Fine work--only one more level to go! You have successfully completed the transition from intermediate to advanced in your study of the classical guitar. Now it …