The fifth part of the left hand view. …
Continue Reading about C6.3.15. Ave Maria – F. Schubert – left hand view 5 →
C6.3.18. Ave Maria – F. Schubert – main view
This transcription, for solo classical guitar, is in the key of G major. Through its gentle, meditative tones, the classical guitar conveys the spiritual dimension of the piece without words, opening …
Continue Reading about C6.3.18. Ave Maria – F. Schubert – main view →
C6.3.19. Torija by F. M. Torroba – left hand view 1
Castillos de Espana, a suite written for the classical guitar, takes the listener on a musical tour of the famous castles of Spain. This particular castle, Torija, is in the Guadalajara province, …
Continue Reading about C6.3.19. Torija by F. M. Torroba – left hand view 1 →
C6.3.20. Torija by F. M. Torroba – left hand view 2
An innovative composer who introduced a Spanish folk music form, the zarzuela, to the international concert stage, Torroba (1891-1982) also composed operas. It is for his works written for the …
Continue Reading about C6.3.20. Torija by F. M. Torroba – left hand view 2 →
C6.3.21. Torija by F. M. Torroba – left hand view 3
Third and final segment of the left hand view of Torija. …
Continue Reading about C6.3.21. Torija by F. M. Torroba – left hand view 3 →
C6.3.22. Torija by F. M. Torroba – spot practice 1
Please make sure to sustain the F# on the second string, which is the most important melodic note in the first phrase, perhaps with a little vibrato, as you can see your instructor demonstrate on the …
Continue Reading about C6.3.22. Torija by F. M. Torroba – spot practice 1 →