As you play these parallel sixth intervals, remember to alternate i-m on the upper line as you can see your teacher demonstrate on this clip. …
C4.6.12. Study in D minor by N. Coste – main view
Alternatively, the sixth intervals in this piece can be played with 'i'-'m' instead of 'p'-'i. …
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C4.6.13. Chamame by J. Cardoso – Close-up View
In this piece, we focus on pull-offs combined with third and sixth intervals. …
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C4.6.14. Chamame – Spot Practice
In the last part, make sure to follow the score. Before attempting to play this piece, first study the complex rhythmic structure, which is in polyrhythm--a structure in which two or more independent …
C4.6.15. Chamame by J. Cardoso – main view
In order to make sure that all the pull-offs are clearly and evenly played, start practicing at extremely slow tempos. …
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C4.7.01. Pavana by L. Milan – Close-up View
This is a Renaissance piece by J. Dowland. It is a good study for transitions between chordal and melodic phrases. …
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