La quinta parte de la vista de la izquierda. ...
Seguir leyendo sobre C7.3.44. Spring III, Four Seasons – A. Vivaldi – left hand view 5 →
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La quinta parte de la vista de la izquierda. ...
Seguir leyendo sobre C7.3.44. Spring III, Four Seasons – A. Vivaldi – left hand view 5 →
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The sixth part of the left hand view. …
Seguir leyendo sobre C7.3.45. Spring III, Four Seasons – A. Vivaldi – left hand view 6 →
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The seventh part of the left hand view. …
Seguir leyendo sobre C7.3.46. Spring III, Four Seasons – A. Vivaldi – left hand view 7 →
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The eighth part of the left hand view. …
Seguir leyendo sobre C7.3.47. Spring III, Four Seasons – A. Vivaldi – left hand view 8 →
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In pieces with fast-moving passages such as these, it is important to apply the most efficient left-hand and right-hand fingerings so that you will not delay the tempo when you arrive at the …
Seguir leyendo sobre C7.3.48. Spring III, Four Seasons – A. Vivaldi – spot practice 1 →
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This passage is a great slur workout for 4, which is usually the weakest finger for most players. Make sure that 4 lands on the string from an adequate distance and with enough acceleration to produce …
Seguir leyendo sobre C7.3.50. Spring III, Four Seasons – A. Vivaldi – spot practice 3 →